About ISCAD

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The Research Project

In 2015 the world celebrated the 750th anniversary of Dante’s birth and started preparing the celebrations for the upcoming anniversary of his death. No need to say, these anniversaries concern, more than Dante himself, Dante’s readers. What one should celebrate and discuss are centuries of readings, both silent and aloud; of commentaries and doubts; of creation of ad hoc hermeneutic tools and of import-export of interpretative categories from different disciplinary fields. Indeed, no other author and no other work have offered, from the very beginning, a hermeneutic workshop of equal richness. Not only have new interpretative theories been tested here, but Dante’s work has also become the shared space in which different critical traditions meet and interact with one another. The variety of the tools of interpretation and modes of reading of Dante’s work are also a problematic heritage, transmitted and augmented by each successive generation, sometimes to the point of making Dante criticism a true “dark wood” for those readers who approach it with the goal of simply understanding Dante.

Interdisciplinary by nature, ISCAD provides a space of discussion and elaboration among scholars coming from Dante Studies as well as from different traditions of studies, by crossing a variety of methodological approaches: history of key-categories in Dante studies and related fields of study; case-studies to investigate the application of these categories to single episodes of Dante’s work; discussion of the uses and abuses of these categories in Dante Studies and beyond.

In 2015-2016, the first edition of ISCAD started exploring this heritage and questioning its future by taking into account two fundamental hermeneutic categories of 20th-century research: “Struttura/Poesia” and “Figura” (see  brochure). In 2016-2017, the second edition of ISCAD focused on the Dantean categories of “Allegoria” and “Contrapasso” (see brochure).

Since 2015, this scientific project and its network have been constantly growing and in 2016-2017 they obtained the scientific endorsement of the Dante Society of America, as well as the generous support of a Connection Grant awarded by SSRHC.

We are looking forward to seeing you in Toronto !

Sandro Botticelli, Scenes from Dante’s ‘Paradiso’ featuring Dante and Beatrice in Paradise , c. 1480-1495

Convener (2016-2017)

Elisa Brilli (University of Toronto)

Organizing Committee (2016-2017)

E. Brilli (University of Toronto)

W. Robins (Victoria University & University of Toronto)

J. Steinberg (University of Chicago & Editor-in-Chief, Dante Studies)

A. Zambenedetti (University of Toronto)

Host  (2016-2017)

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Sponsors (2016-2017)

Centre for Comparative Literature, University of Toronto

Centre for Medieval Studies, University of Toronto

Cinema Studies Institute, University of Toronto

Department of Language Studies, University of Toronto Mississauga

Emilio Goggio Chair in Italian Studies, University of Toronto

Faculty of Arts and Science, University of Toronto

Istituto italiano di Cultura di Toronto

Pontifical Institute of Mediaeval Studies, Toronto

Social Sciences and Humanities Research Council, Canada
University of Saint Michael’s College, University of Toronto
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A series of annual worshops on Dante at UofT